Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Sunday, April 22, 2018

Short Story Teaser: "Code H"

From time to time I've offered up samples of my creative output, as we author chappies are wont to do. Here's another. Leave me a note if you'd like me to send you the whole thing. (This is still something of a draft, not necessarily the final version.)

Code H


"God damn it," said Mahoney, slamming down her coffee cup. Drips slopped over onto her desk. "Hitler's dead again."

"What's that, three this kilochron?" asked Ibekwe across the low cubicle wall.

"Four." Mahoney wiped up coffee with the back of her tie. She hated the tie. There were good things about not having to walk a temporal beat. Wearing the clothes wasn't one of them.

Ling's head popped up from Robbery, halfway across the squad room. "When is it this time?" he called.

"July '31. Why, what do you care?"

"Office pool."

"Great," said Mahoney, standing. "If you win, how about you fill out the fucking DHP-370s?"


#

Lieutenant Xox, a.k.a. the Loot, rolled its eyes. It had three of them. Mahoney thought this gave it an unfair advantage. Insofar as a creature that looked like a seven-foot-tall cerulean-scaled lizard could look jaundiced, it looked jaundiced.

"Another code H?" it said. "Sonofabitch. What the hell is it with this precinct, anyway?"

"It's the goddamn writers," said Mahoney. "You got sci-fi writers when you come from?"

"Not any more," said Xox, giving her a toothy grin. It had an unfair advantage in that department as well.

"Well, that shit's practically a cottage industry around here. Means every asshole who gets ahold of a chronomobile, the first thing they think is 'Hey, I'm gonna go kill Hitler.'"

Xox shrugged. "Well, it keeps us in business, I guess. When was it, by the way?"

"July 1931. Don't tell me you're in the pool too."

"Sure, but I had January '28. Anyway, that's not why I called you in. You're gonna have a ride-along on this one."

Mahoney swore fluently in twenty-third century Sparabic. It was a good language for swearing. The Loot waited, looking occasionally out the window, which was in the 1970s. For some reason Xox really liked the 1970s.

Mahoney realized she was repeating herself. She stopped.

"Sorry, Sparks," said Xox, not sounding sorry. "This came all the way from the Castle. It's the new curriculum. They want to get the cadets out walking the timestreams, show 'em how it's done. Hell, you should be all for that."

"I am, just not with me."

"I'll tell the commissioner next time we have tea. I'm sure she'll be real sympathetic. 'Til then, you get to experience the joy and camaraderie of mentoring." It turned two of its eyes towards her midsection. "Maybe you can trade grooming tips. Buddha's balls, Mahoney, it looks like you washed your tie in coffee. And get your DHP-370s in on time, for once."

Wednesday, June 21, 2017

Book Review: Lawless Lands

Lawless Lands
Emily Lavin Leverett, Misty Massey, Margaret S. McGraw (editors)
Science fiction, fantasy, Western

Big disclaimer up front. One of my closest friends in the world has a story in this collection. Furthermore, I read and commented on an earlier draft thereof. There's no way I'm feeling impartial about that one; I think it's really good.


So let's talk about the collection as a whole. I don't like to damn it with faint praise, but it's decidedly a mixed bag. A number of the stories are all written from basically the same plot outline--several of them are near-clones of one another. There's a lot of dark fantasy/horror, which I personally don't find very interesting or imaginative; your mileage may vary.

There are some ups as well as some downs, I'm happy to say. Among these I'd single out:

  • Seanan McGuire's "Pixie Season," which offers a welcome relief from the general diet of gloom & doom & gritty & despair & earnest & more doom & more gloom.
  • Dave Benyon's "The Stranger in the Glass" doesn't, much, but it has a neat idea at its core.
  • Laura Ann Gilman's "Boots of Clay" has a more interesting cast of characters and a decidedly different kind of conflict.
I will say that Mr. B.S. Donovan--"Old B.S." to his friends--has undeniably achieved a different voice than any other story in Lawless Lands. I can't imagine that this will be his last sale.

P.S. In case you somehow managed to miss it, there's also this.

Wednesday, May 17, 2017

Support Your Local Author

No, not me. My close friend and esteemed colleague B. S. has arrived. Please do support him by buying the anthology, if you haven't done so already. I've read his story (in an early draft) and can testify that it's a good one.

Sunday, January 15, 2017

A Good Literary Cause

I don't normally use this blog to promote crowd-funded projects. However, the Kickstarter that includes Sean's forthcoming story--which is a fine one, by the way--is nearing the end of its run. Please do consider tossing them a few bucks.

Thursday, December 22, 2016

Yet More Exciting Publishing News

Go here.

Yes: my old pal B.S. is having a short story published. He's more than earned it. He's been working hard at writing stories, taking it seriously, developing his craft. I've had the privilege of being among his alpha readers from the beginning. He started out good and he's getting better.

P.S. But don't forget this.

Wednesday, December 14, 2016

It's MORE Official!

Anyone remember this?

Here's the proof, hot out of the mailbox.


This is the January/February issue. It will probably be on sale on or around December 21st.

The printed version that's isn't quite my original submission, but it's extremely close. I spotted a couple of small editorial substitutions and one minor infelicity. Needless to say, I am heartbroken and outraged and convinced that my dignity has been stolen and . . . oh, wait, none of that's true.

The Ellery Queen website shows the links to order the digital version of the magazine from Amazon, B&N, etc.--or to subscribe to the physical edition, which no doubt would thrill the editor. There are still a few old-school vendors that carry physical copies, including the iconic (but endangered) Out of Town News in Harvard Square and (hooray!) the much-loved A. J. Hastings in Amherst.  It looks like you could also order single issues online from Magzter. 

By the way, two people deserve special thanks.

One is, of course, my wife. I know that sounds conventional, but it is literally true that there is no significant part or plot point or development in "The Adventure of the Disguised Passenger" that I didn't talk over with Robin.

The other is the lovely and talented Mr. Steve Hockensmith, who:
  • Gave me the inspiration in the first place;
  • Permitted me to shamelessly steal appropriate characters he'd created;
  • Read the manuscript and gave it his seal of approval; and
  • Suggested a suitable publication/editor.
Important shameless co-promotion! Steve is going to be bringing back his "Holmes on the Range" series. And he's going commando—i.e., self-publishing. Please support him when he does.

Thursday, September 29, 2016

It's Official!

I've just mailed off a contract for my first published short story. "The Adventure of the Disguised Passenger"--a Sherlock Holmes pastiche, as one might deduce from the title--has been accepted by Ellery Queen's Mystery Magazine. (For those of you from the SF side of the cultural divide, this is a sister publication of Asimov's Science Fiction.)

Extra-special thanks go to the dazzling Mr. Steve Hockensmith, whose soon-to-be-relaunched Holmes on the Range sequence got me thinking about this tale in the first place.

I don't yet know in which issue the story will appear. Needless to say, there will be further posts when I do.

Wednesday, October 21, 2015

Short Story Teaser: "Leviathan"

My favorite book of 2014 was Andy Weir's The Martian. Sean and Mike concur.

Years ago, as it happens, I wrote a short story that has detectable similarities to Andy Weir's The Martian. And since Andy Weir started out by publishing The Martian on his website and ended up being wealthy and famous ... Let's just say that what's good enough for Andy Weir and The Martian is good enough for me.

(Some of you are probably thinking that the only reason I keep mentioning Andy Weir and The Martian is to attract people who are Googling for the book. This is untrue: I also want to attract people who are Googling for the movie The Martian, based on the book by Andy Weir Andy Weir Andy Weir .)

So here's the first part of the story. It's not funny like The Martian (by Andy Weir)--in fact, it's kinda grim--but I'm still reasonably satisfied with how it came out. If you want to read the rest of it, leave me a comment and I'll send it to you. And if you want to give me the same kind of deal that Andy Weir (author of The Martian) got, I'm amenable.

P.S. for search engines indexing this page: it's about Andy Weir's novel The Martian.

Leviathan

     After we killed the passengers, we put the bodies in one of the low-pressure, unheated storage compartments.  Some people had wanted to have some kind of solemn burial-in-space thing; that was too ghoulish for most of us, though.  Mostly the ones we killed had been okay, but a few had to be forced.  I had had to kill one of them.
     I met Jenny Fenton in the lounge.  She’s a tall black girl, an able spacer, real smart.  I’d thought we might end up getting something together, but at the time we were just friends.  She bought me a beer.
     “Rough?” she said.
     “Yeah.”  I didn’t want to talk about it.  “I just hope it does some good.”
     She ignored my implied question.  “Come on, Vas, you know there was no other way.  The lottery was fair, if that’s what you’re thinking.”
     “I wasn’t thinking at all, actually.”
     “So what else is new?”  Gordon Yamaguchi sat down, which didn’t please me a lot.  Ordinarily I liked him okay--not great, just okay--but he was good at being flip and sarcastic, and I wasn’t in the mood for it.
     “Stow it, Gord,” said Jenny.
     Gordon shrugged.  “When you gotta go, you gotta go.  Hell, half of them were triage cases anyway.”
     “Lots of them would have made it to Minerva,” I said.
     “Yeah, dead, like the rest of us.”  Gordon ordered a double Scotch, which made me think maybe he wasn’t as cool as he pretended to be.
     I finished the beer.  “Look, Jenny, what’s the deal?  Are we going to have to do a second round?”
     Jenny shook her head.  “Sorry, Vas, I don’t know.  They’re looking at the life support now, what’s left of it I mean, and trying to figure how much time we lost getting back on course.”  She lowered her voice.  “I probably shouldn’t tell you guys this, but it doesn’t look like we’re going to get our commo and detection gear back anytime soon.”
     “Jesus,” said Gordon.  “How are we navigating?”
     “The old fashioned way,” said Jenny.  “Drop out of hype, look at some stars, measure some angles, crunch some numbers.  That’s why it’s taking so long.”
     I went back to my quarters, but I couldn’t sleep.  The face of the passenger I had killed, had had to kill, kept coming back to me.  That sounds corny, but it’s true--what Doc called a “flashbulb memory.”  This passenger was an ordinary guy, about forty-five, graying hair, a little pot belly.  I’d seen him, I think, but I never knew his name.  He wasn’t the type you’d have expected to make trouble, but at the last minute he jumped me, screaming.
     We didn’t have guns--who takes guns on a passenger liner?--so all I had was a big wooden billy club, made from an ornamental lamp that had been in the first-class lounge.  And a kitchen knife, for what little that was worth.  Anyway, what scared me, thinking about it in my berth, was that I hadn’t hesitated.  Not even a little.  I don’t know what I had been thinking, if I was thinking at all.  I clearly remember what I did, but it’s like my brain was a total blank.  I whipped that lamp around as hard as I could and got him smack on the temple.  It sounded like someone crushing plastic.  He crumpled up, kind of sideways, and I hit him again, and again.  I could smell his blood.  If I had drawn a different lot, it could have been me.
     I got up and wandered the corridors for a while.  The lighting was way down to save power, not that that was the worst of our worries.  Some of the corridors had been sealed off so as not to waste air, though.  I was in second class, and the corridors were functional, like motel hallways--bland carpets, painted walls.  Up in first class they were softly lit and paneled with wood; down in steerage they were bare, with pipes and conduits and exposed lights.  That was where most of the colonists were, and where most of the civilian casualties had come.
     I had been walking when the meteor hit us.  The lights kind of wobbled, and the ship rang, like a gigantic bell.  Nobody knew what had happened, but it didn’t seem like anything to worry about.  We joked about it as we steadied ourselves.  I remember someone saying something about the Captain getting nailed for DUI.  We should have thought a little: the ship was a whale, an enormous thing; anything that could make the whole thing quiver was something to worry about.
     I looked up and realized that I had made my way to sickbay.  I pushed the door chime.
     “Come on in,” said Doc.
     Doc Li looked like a video doctor, and he had the manners, too: a little white haired guy, who wore old-fashioned glasses and fussed a bit.  He had made a big stink about crew being exempt from the lottery, and had tried to put his name in.  I liked him a lot.
     “Well, Vassily,” he said, “what brings you here?”
     “Eh.  Couldn’t sleep.”
     “You want a pill?  In your case it might be a good idea.”
     “Nah.”
     He didn’t say anything, just puttered around his office tidying things.
     “Doc,” I said, “why did you make such a thing about the crew not being in the lottery?”
     He looked at me over the tops of his glasses.  “Bad precedent.”
     “Isn’t it true what the Captain said, about having had heavy crew casualties in the explosion and fires and needing every spacer to keep the ship running?”
     “Oh, I don’t know.  Probably.”  He sat down on the edge of the bed.  “But that’s not the point.”
     “Well,” I said, “what is the point?”
     “The point is,” Doc said, “it was handed down as a dogma.  Not ‘people we need will be exempt,’ but ‘crew are by definition exempt.’”
     I didn’t see what he was driving at, and my expression must have shown it.
     “Look,” he said.  “It went pretty smoothly today, right?”
     “I had to kill a guy.”
     “I know,” said Doc.  “I’m sorry about that, Vas.  God knows, every time I think about my medical supplies being used for--that, I get sick.  You know, they wanted me to do the injections.  I refused, said it would violate the Hippocratic Oath.  Which it would.”
     “Anyway, what were you saying?”  I still didn’t want to talk about it.  “I guess it went pretty smooth.  I mean, there was a little trouble, but not much.”
     “Sure,” said Doc.  “People knew that there wasn’t much choice.  A lot of them were critically injured, some volunteered.  But what happens if we find out--say, that we’re still short oxygen, or water, or something?”
     “Well,” I said, “I guess we’ll have--we’ll have to have another lottery.”
     “It won’t be as smooth,” said Doc.  “And if we need a third or, God help us, more rounds--”
     “Hell,” I said, “that won’t happen!  I mean, if worst comes to worst and we do need to, um, do it again, they’ll be able to figure out how many need to go.”
     “A minimum number, maybe.”  Doc polished his glasses on his lab coat.  “But we’re going to be making continual course corrections by dead reckoning.  Which will slow us down, depending on how much fuel we use and how far off course we go.  Anything that could happen, I mean anything unexpected, would be bad.  Anything at all that breaks--the air, the water, the engines--will make it worse.”
     “Jesus,” I said.
     “Or whoever,” said Doc.  “That’s why I think the crew should be in the lottery.  Even if it’s just a token.  Otherwise, it’ll make it an us-against-them thing later on.”
     “Thanks a lot, Doc,” I said.
     He looked at me with his old blue eyes, and I thought he looked sad.  “Vas,” he said, “you’re a big, strong young man.  If there’s another round, if you’re not picked, you’re going to be tapped for enforcer again.”
     “I think I’d better take that sleeping pill,” I said.

Wednesday, September 23, 2015

Don't Boldly Go There

On an airplane last night, I saw that the in-flight video system was offering up (among others) Star Trek II: The Wrath of Khan. It had been many years since I'd last seen the film. So I decided to give it a rewatch.

This was a mistake. 

(A full confession is perhaps in order here. I have never been among those who thought that The Wrath of Khan was a top-notch film. In fact, it's not even my favorite Star Trek movie. Still, I was predisposed to, at least, find it a diverting way to spend two hours hurtling across the North Atlantic.)

Put plainly, in a lot of ways, The Wrath of Khan just isn't all that good. It has good bits, but as a whole suffers from a multi-level Idiot Plot. I'm not talking about trivial inconsistencies--seriously, who cares? No, I'm talking major "Chuuuuuwhah?" moments here: places where the movie doesn't make sense even by its own internal premises. For example:
  • Starfleet sends out one of its front-line, newly-upgraded vessels on a training cruise, with a crew consisting of almost 100% cadets. Let me know the next time the U.S. Navy sends out an aircraft carrier crewed exclusively by Annapolis plebes.
  • The cruise is apparently supposed to take place at sub-light speeds, within Earth's solar system. Nonetheless, they are the only vessel in the area when they get a distress call from space station Regula I. Apparently this station, for security and safety reasons, is located in a remote and little-traveled sector very near Earth.
  •  The distress call is clearly being jammed, and it's obvious from the content that something funny is going on, and the hijacked U.S.S. Reliant goes out of its way to approach Our Heroes in an unnecessarily suspicious fashion. Nobody notices.
  • Apparently the Federation relies on clay tablets for record-keeping. Hence, they can enter a solar system without registering that one of its planets has exploded, much less remembering that, oh yeah, this was that place where we dumped that ship-load of highly dangerous genetically-enhanced super-criminals a few years ago. (Also, apparently, they can't count; they land on the fifth planet from the sun, under the impression that it's the exploded sixth planet. It's a wonder they can even find it.)
  • When you have beamed down to a planet, and you realize that you need to escape immediately, do not run outside to investigate the weather. Use the magic words "Two to beam up immediately." Remember that teleportation system that got you here? It works both ways!
  • Oh, noes! The Plot Device is going to blow up, and we're all doomed! Kirk: "We'll beam aboard and stop it." David Marcus: "You can't." (Well, wonder boy, why not? Apparently just ... because.) Missing next line of dialog: "OK, then, let's just photon-torpedo it into its constituent atoms, then phaser the remains."
Trust me, there's much more. There's a good movie lurking somewhere in there--the interpersonal and thematic elements work well, though they could use some expansion. Apparently, however, nobody cared enough about the plot to resolve the gaping holes. I suppose it's only a mercy that they didn't have modern special effects technology.


Sunday, March 15, 2015

Thoughts on the Passing of a Giant

R.I.P. Sir Terry Pratchett.

Terry Pratchett was a genre writer. He entertained people. He could never win the Booker Prize, or the Pulitzer, or the Nobel, or much in the way of critical notice. All he ever did was write seventy or so books, become the second-most-popular author in the UK (after J. K. Rowling), be widely beloved by fans and admired by fellow scribblers, and leave a corpus of work that will surely be read--voluntarily! by non-academics!! for pleasure!!!--in a hundred years' time.

Genre writing is never intellectually respectable. It's popular. It's easily comprehensible. Perhaps worst of all, it's not modern; it's premodern, and in many cases antimodern. Fantasy, especially, is a throwback form of storytelling, tracing its ancestry straight back to the Iliad and Beowulf and the Morte d'Arthur. Modernism means a lot of different things to a lot of different people, but one of those things is an explicit rejection of the "outmoded," the "traditional," and the "bourgeois." In the visual arts, that meant rejecting realism for abstraction. In writing, it went the opposite way: the hero's struggle was rejected in favor of what Michael Chabon has aptly dubbed "the contemporary, quotidian, plotless, moment-of-truth revelatory story".

Even the language is loaded. The adjective "modern" has connotations that are all positive. Its antonyms are words like "premodern", "antique", or just plain "old"--all negatively charged.

So we get a literary canon in which boring, ordinary people do boring, ordinary things, in a boring, ordinary setting, as a result of which nothing much happens. Books that violate those genre conventions are defined as Not Literature, don't win prizes, and don't enter the cultural conversation. Admit to liking this stuff, and you're instantly a plebeian--a mere escapist entertainment-seeker. Cultivate a lofty sneer, on the other hand, and you may be admitted to the club.

Maybe I'm too dumb to understand real literature. Maybe I'm too short on empathy. Maybe--OK, undoubtedly--my tastes are fundamentally adolescent. But I don't like it when the books that readers actually like are reflexively marginalized.

It matters, because reading matters--in a way that virtually nothing else does. And yet, as a friend of mine recently noted, the habit of reading is neither inevitable nor particularly natural. I don't think it's coincidence that a quarter of Americans don't read any books, or that pleasure reading peaks at age 13-16 and declines steadily thereafter. (Similarly, I don't think it's a coincidence that the years which saw the canonization of John Cage and Philip Glass and other "modern" composers saw the accelerating decline in the popularity of classical music, or that fewer and fewer people are looking at art nowadays.)

To their credit, a few people within the literary Establishment recognized just how good Sir Terry Pratchett was. On their behalf, and mine, and my friends', therefore, I say: fare thee well, good sir knight; your quest was a noble one, and it outlives you. And if there are any naysayers out there who want to show me the error of my ways, I'll be in the library, reading stories about heroes.

P.S. If you want to try Pratchett but aren't sure where to start, Guards! Guards! is a good place; it begins a wonderful sequence that continues with Men at Arms and Feet of Clay.

Sunday, March 1, 2015

Book Review: Geek Sublime

Geek Sublime: The Beauty of Code, the Code of Beauty
Vikram Chandra
Aesthetics, software

Software developers talk a lot about a piece of code being "beautiful" or "ugly". Mathematicians do something similar: "Beauty is the first test: there is no permanent place in the world for ugly mathematics", wrote the great number theorist G. H. Hardy. Scientists, too, use the language of beauty to describe their work. And many people (myself among them) think that engineering designs and engineered objects can be beautiful in their own right--there's even a "movement", sometimes called Machine Art or Precisionism, to that effect.




Suspended Power, Charles Sheeler. Image from the Dallas Museum of Art

On the other hand, it's a commonplace to observe that there is a deep cultural divide between humanists and scientists (and engineers). Vikram Chandra, who's both a software developer and an award-winning novelist, wrote this book to try to explore whether and how these ideas of beauty cross that divide.

As you'd expect, the book is wide-ranging. It's got some (largely non-technical) discussion of software and the software writing process in it, but it also has a good chunk of fascinating autobiography, and a deep dive into Sanskrit language and classical Indian aesthetic theory. The latter is particularly novel to a western reader, and in some ways quite extraordinary.

As you'd also expect, it's beautifully written. In fact, it's so beautifully written that it took me a while to realize that its various parts don't always cohere very well. The discussion of the lowest level of the computer (the logic gate) is very clear, for example, but it's not clear what it has to do with the rest of the book. Similarly, the dearth of women in U.S. computer science compared to India is a very interesting topic; I'm just not sure what it's doing in this book.

But if we're talking about "the beauty of code", cohesion is vital. So, ultimately, Geek Sublime left me a little unsatisfied; I'm not entirely sure what conclusion Chandra really reaches, if any.

So I'll favor you with my own conclusions instead. For reference, I am a practicing software engineer. Although I'm not an award-winning novelist, I write both fiction and non-fiction for pleasure. I do artwork and illustration (they're not the same, although they're related). I've composed and performed music, to my own satisfaction and occasionally to others'. 

In my subjective experience, there is certainly a connection between beautiful code and good writing—a connection which I can only describe as a shape. Good code and good prose both have a definable structure, a sense of which is almost a kinesthetic experience; I find myself waving my hands around in the air, as if molding invisible clay words, when I'm trying to describe it. In a work with a good shape, everything relates to everything else. Nothing is missing. Nothing is wasted.

The difference, thought, is that in engineering a lovely shape is never enough. An engineered design, like an equation or a scientific theory, has to work. No code can be beautiful if it doesn't do anything, or if it does something wrong. For a book or a poem or a painting, beauty does not serve function; to be beautiful is the function.

Monday, January 5, 2015

Teaser: "The Adventure of the Rafferty Letters"

I occasionally commit flagrant acts of writing. Here's the opening of a Sherlock Holmes pastiche I did a couple of years ago. I don't care to post the whole thing, but I'll send copies by e-mail if solicited.

The Adventure of the Rafferty Letters
"Well, Watson," asked Sherlock Holmes, "what do you deduce?"

I picked up the visiting-card from its silver tray and studied it closely, trying as always to anticipate my friend's methods.  "Very little, I'm afraid," I admitted.

It was a fine April day, the first after a dreary grey March.  Holmes and I had been for one of our extended rambles through the city.  For Holmes these seemingly aimless excursions served to sharpen and refresh his knowledge of the byways of the teeming, bustling metropolis.  Never was he happier than when he was able take a street he had never before trod, or navigate in a direct line to some distant landmark.  For my part, I was glad of the exercise.  Though my shoulder had long since healed, the Afghani bullet that I still carried in my leg had made walking a painful chore for many damp weeks.  Then, too, I never tired of listening to Holmes practicing his craft, observing and docketing the callings and characters of the folk who passed us by.  The keenness of his eye, and the breadth of his inferences, were as good as an open-air lecture.

A balmy breeze accompanied us as we ambled through Marylebone and Bloomsbury, up into Clerkenwell and down towards the City.  The first haze of green was on the trees, and even the grimy liver-coloured bricks of Britain's great industrial heart seemed fresh and new.  In consequence it was well into the late afternoon before we returned to Baker Street, to be met at the door by Mrs. Hudson.

"There's been a gentleman to see you, Mr. Holmes," she said.  "An American, he sounded like, and an impatient one at that.  I said I couldn't guess when you'd be back, and off he stumped.  But he left a card."

Now, having followed Holmes upstairs, I turned that card over in my fingers.  It was off-white and in no way remarkable.  On one side was the name "Mr. Daniel J. Rafferty," with no other information.  On the other was written, in a firm legible hand: "I will call on you at 5:30--DJR".

I shook my head.  "I can only offer the trivial suggestion," I said, "that Mr. Rafferty is an Irish-American."

"Come, Watson, I think we may do better than that."  Holmes took the card from me and subjected it to a concentrated scrutiny at a distance of a few inches, running his long thin fingers over its surface.  "It is true that a visiting-card is not the most fruitful field for our endeavours," he continued thoughtfully.  "It is designed to be anonymous, or at least to reveal only what its owner wishes.  A pair of eyeglasses, or a cigarette-case, would be infinitely richer ground.  Still, there are indications.  I should say that Mr. Rafferty is well-to-do, a heavy smoker, unsociable, left-handed, and a man of distinctly obstinate nature.  Beyond that, I fear, we must remain ignorant."